supported by 10 fans who also own “Live at SEL I/S/C”
"Music by an algorithm" is a funny way to spell Uwe Schmidt. This is an album as if made from one piece. Still each track has its own flavour without adding too much cheese. No clue what the algorithm-thingy did here. My impression is, it's far from "Forgot to switch off the Palantir, thus granting Sauron access to all your streaming accounts"-fucked up. Works just fine then? Good job, algorithm! For me one of the best albums of 2022!
Geffi Straf
supported by 9 fans who also own “Live at SEL I/S/C”
This album is probably the most striking thing that has ever happened to me musically. I still can't get used to the richness and unpredictability of the sound, it keeps me surprised after so many listenings. The voice sample in the title track is especially noteworthy. First, I couldn't fully discern the words. But one day I saw the iconic film the sample is taken from — and it was mind-bending to realize that I'm hearing that very phrase. The album is so special and unique to me. HermannHermine
Madcamp dance music from the Netherlands that is alternately impish and mysterious, vocal clips and synth blips intermindling. Bandcamp New & Notable Jan 29, 2023
supported by 8 fans who also own “Live at SEL I/S/C”
This album reaches the peak of what ambient music has the capacity to evoke. I don't think it's possible for an ambient project to create a more profoundly transcendental experience, or a more refined and deeply complex atmosphere. voidoctopus